top of page

Brushstrokes of Success

Artists have a unique power to convey thoughts, ideas, and narratives through visual form without relying on words, making their work accessible to people across different cultures and languages.


I am an artist of Korean traditional folk art. Being in New York City, a major goal of mine is to introduce Korean traditional folk art to the public through modern themes and motifs. Much of my inspiration is drawn from the rich cultural heritage of Buddhism, meditation, family connections, and the natural world.


The tools I use are also taken from the earth such as hanji, traditional handmade paper from the inner bark of mulberry, which is a native Korean tree. The paints I use are water-based pigment powder. Detailing in my artwork relies on sharp brushes and muk, which is black ink made from the soot of burnt pine.


My first collection of paintings was displayed in 2013 with art galleries located in Chelsea, a district famously known as the center of the city's art world with over 200 galleries. I first started with two to three art exhibitions a year. From there, my career skyrocketed, with more than fifty solo and group art exhibitions a year.


I feel very lucky to be in New York, it is unquestionably the global center for arts and culture with its unparalleled concentration of art galleries, cultural institutions, and museums.


Most of my artwork is sold to Caucasians who find Asian artwork spiritual, mystical, and even Zen-like as I incorporate the principles of simplicity, tranquility, and mindfulness. My focus on Asian traditional style has opened avenues of success for me here in America.


Commenti


bottom of page